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Sunday, April 18, 2010

Facelifted Vios launched

Posted by: Anthony Lim

UMW Toyota Motor has updated the Vios, and the car gets minor cosmetic changes and some improved features made in response to feedback from Vios owners.

There are no mechanical changes to the Vios, which continues to be available in five variants – 1.5J manual and auto, 1.5E, 1.5G, and the flagship 1.5 TRD Sportivo, and five colour shades as well, these being White, Silver Metallic, Grey Mica Metallic, Medium Silver Metallic, and Coal Black.

Externally, the front gets a new chrome rim on the radiator grille, which now comes with two horizontal bars instead of one. Additionally, the recess for the integrated foglamps on all versions, except the Vios 1.5J on the lower section of the front bumper now has a silver finish (in place of the dark finish).



At the back, cosmetic enhancements come in the form of new tail lamps, which have revised positions for the brake and reversing lights, and styled for a stereoscopic look. There's also a new chrome garnish over the number plate on the TRD and 1.5G versions.

Inside, the cabin gets dressed up a fair bit. There's a new finish for the centre console fascia; on the TRD and 1.5G, it's in glossy piano black, with the bezel in a sports finish for the TRD and in silver for the 1.5G. Meanwhile, the light-coloured fascia of the 1.5E has been replaced with a matte black panel and a silver bezel.

Elsewhere, the circular dials for the three air-conditioner and ventilation controls have been completely redesigned, and offers better grip through the ‘diamond cut’ surfacing on each dial’s circumference.

There's also a new steering wheel offering a sportier shape and improved feel over the old, and for the TRD and 1.5G variants the wheel houses audio control switches on the left spoke, and the 1.5E's wheel gets silver bezels now as a highlight.



The Vios TRD gets a new design for its front seat fabric upholstery, as well as red stitching for the steering wheel, gear knob and floormats. The door switch base and centre fascia bezel also gets a new sports panel. As for the 1.5G, this gets combination leather upholstery with perforation, while the 1.5E and 1.5J share a new dark-coloured fabric designed for durability.

Additionally, each model gets some specific new features and kit - the TRD comes with new seven-spoke alloy wheels with TRD and TRD Sportivo logos on them, while the 1.5G gets a new six-twinspoke alloy wheel in place of the previous five-spoke design, and door visors are now standard.

The 1.5G gets a fair bit of chrome in the cabin - the stuff goes on the door inner handles, vent registers, shifter bezel and parking brake knob, and the interior colour theme has also been changed from black/beige to ashbrown/beige, making for a brighter, cheerier cabin.



As for the 1.5E, it gets a new all black dashboard instead of the previous two-tone black/beige, and a front passenger SRS airbag has now been added into the mix. For the entry-level 1.5J, the sideview mirrors now have not only remote power adjustment but are push-button retractable, and new features include an intermittent mode for the windscreen wiper and a driver airbag.

Pricing for the Vios 1.5J manual is RM71,990, while the 1.5J auto goes for RM76,090, with the 1.5E at RM81,500 and the 1.5G at RM87,300, topped off with the 1.5 TRD Sportivo, which is priced at RM92,000. All are on the road inclusive of insurance, in Peninsular Malaysia, and come with a 36-month/100,000km warranty.
The Honda CR-Z, with smoke and mirrors
Posted by: Anthony Lim
If you're curious about all things Honda CR-Z, then this video should be right up your street. It's a 90sec film about the hybrid, commissioned by Honda Motor Europe and produced by Gaucho Productions, which is to be used as a marketing tool across Europe, the Middle East and Africa.



Directed by Ben Hume-Paton and produced by Kwok Yau, the film was shot over a day and two nights in southern Spain, with the concept being of a surreal drive. The narrative describes an epic journey that begins at dawn and continues through the night, during which the viewer’s perception of reality is challenged by a fantastic mix of smoke, mirrors and laser light.



Shot with a mix of HD cameras, including the Red Camera, to give the film its unusual look, the team built mirrors and used high-powered lasers to create the special effects, with additional light trails and three-dimensional graphics then added, along with a specially commissioned musical score. You can catch the film at www.gauchoproductions.com.

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